watercolor sketch from imagination

Bio

Katie grew up on Popcorn Acres, a former dairy farm outside Boulder, Colorado, named by her mother because "something was always popping up" — five kids, a parade of pets, endless crafts, friends, and a fair share of lively chaos. The expansive natural landscape, paired with this ever-changing family environment, became a wellspring for Katie’s imagination and artistic development.

In the late 1990s, she undertook intensive mentorships with established painters, cultivating a rigorous foundation in traditional techniques and creative inquiry. By 2000, her work was being exhibited in venues throughout Colorado.

In 2005, Katie relocated to Seattle, Washington, where her practice continued to evolve in both method and vision. Over the past 15 years, her paintings have been presented in annual solo exhibitions and featured in galleries across the Pacific Northwest and Southwest. Her work is held in numerous private collections internationally, reflecting a steadily growing presence and resonance within the contemporary art world.


CV

Learn more about the artist's background and practice. Presented by Patricia Rovzar Gallery, April 2020.
 

Statements

Cityscapes in Motion: An Ongoing Exploration

The urban environment has always captivated me, igniting a profound sense of wonder and restless curiosity. Every anonymous cityscape I paint hums with countless unfolding stories, layered across streets, windows, and unseen corners, all moving at once as I pass through. The city’s ceaseless energy — its tension between chaos and order — offers endless challenges and unexpected revelations, fueling my ongoing exploration and vision.

I am drawn to studying cities from shifting angles, striving to distill the fleeting spirit of place through my work. By manipulating perspective, exaggerating details, or stripping forms down to their essence, I seek to translate the restless life of urban spaces. Across a range of methods, my evolving voice threads through, a constant amid the changing lines and textures.

In my Seattle studio, I quietly tend the roots of my creative practice — roots deeply shaped by my years of interpreting the urban landscape. As I explore other subjects and directions, the sensibilities honed through painting cities — a sensitivity to movement, structure, and layered narratives — continue to inform everything I create. Each new piece, whatever its subject, carries forward the evolving dialogue between observation, memory, and imagination that first took hold in the city’s endless energy.